Mark Read
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Stained Glass
 
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More 'Woven Monoprints: Natural Patterns' by Mark Read
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Woven Monoprints: Natural Patterns Photography Woven Monoprints: Conceptual Patterns Photography Las Vegas Baby! Photography
The Witness Photography The Measure of Things Photography, Color Transmission of Knowledge Photography, Color
Energy Profile Photography It's a Butte Photography Of Two Minds Photography
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Keeping an Eye on the Moon Photography, Color The Nature of Reflection Photography
Circumambulation Photography Looking Back Photography
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The Acolytes Photography First Reyes Photography
L'Origine du Monde Photography, Color The Conversation Photography The Sentinels Photography
Waiting Photography The Naming of Things Photography, Color Pas De Deux Photography
Sky Blue Yonder Photography The Birth of the World Photography Personal Construct Photography
Illuminated View #1 Photography Illuminated View #2 Photography Enlightened View Photography Moon over Mons Photography, B/W
The Shroud Photography The Waters Photography
Torso Monoprint The Shroud Monoprint
The Waters Monoprint Moon Set Photography
Stained Glass Photography Star and Stripes Monoprint Red State/Blue State Monoprint
I'VEDISCOVEREDCOLOR Monoprint Virgins of the Rocks Photography 737 Photography, Color
Roxanne Photography Heather Hot Photography Malia Photography Nadia Photography
Jackie Photography Marlboro Photography Fun Dip Photography
Drumstick Photography
Stained Glass
  Photography
  40.2 x 40.2 x 1  in
  $1,500
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  Description
 
Woven Monoprints: Part of the NATURAL PATTERNS series.

Woven Archival Inkjet Monoprint on Moab Entrada 190 gsm archival paper. This is a close-up single frame view of a rock formation in Colorado. It includes the perimeter frame of the old Ektachrome film it was originally received on. The image has been rotated 45 degrees. When doing so it reminded me of a Christian church window illustrating the savior, and a few of his earthly disciples, hence the name of the piece. The image presented here is a fascimile of the woven pattern (grey lines) as well as the frame surround although they are accurate dimensionally in this view. The woven pattern creates a three dimensional quality to the overall piece and runs continuously through the image imparting a subtlety of pattern, form, and irregularity to the image area. The technique used for the weaving is to print the image twice, cut each image into strips of a defined width, and then weave the image back together again. The fully realized woven piece is then mounted at the edges onto 4 ply museum board to preserve its longevity and to maintian the weave pattern. The piece is professionally framed in brushed silver metal (Dimensions: 1/2" face x 1-1/2" deep). A shadow box insert containing the artwork is then secured within the frame and is composed of a 1/8" UV plexiglass face, 3/8" deep black plexiglass standoffs (shadow box), the woven piece mounted on 4 ply museum board, and 1/8" masonite backing.
 
 
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